This section was kindly written for us by Dan Winter. As he notes - this is just a very quick overview of a deep subject. You can find much more information on the websites linked below.

When Ken Carey originally sent me his manuscript for his later publication "Return of the Bird Tribes" we were already leading ritual with the Iroquois and Seneca groups (like Twyla Nitsch) in the Eagle (bird tribe) star map of Pennsylvania. (www.goldenmean.info/eaglemorph ) Only later did we learn that the Iroquois name BirdTribe - for the ancestry of their PeaceMaker- (whom we later learn is identical with the Quetzalcoatl myth - whom we later learned is functionally identical to Hermes / Nigishidda) - was functionally identical to: the Cherokee- star elder ADAWI * the aboriginal - VALNAAPA * the Christian - OPHANIM * the Andromedan - PAA TAAL (the origin of the Egyptian royal PTAH line) * even the Kiliman term KILIMANJARO which while functionally a term for ENKI (Father of Hermes / Ningishidda) - probably more accurately refers to his blood line: BIRDTRIBE.

This note - being limited can be mostly only a reference to already existing articles:
Ophanim Enochian alphabet as BIRD TRIBE: goldenmean.info/orion and goldenmean.info/dragonscriptdna


The history is simple - the genetic problem of our Annunaki and other ET ancestors can be summed up quite simply: they lost the skill to charge ignite blood / DNA with bliss. When DNA is in fact ignited with the fractal ambient charge generated by BLISS - it braids recursively to the point of implosion (and pelastration). At that point it phase conjugates and begins to make its own significant gravity field and local black hole. The academic articles with evidence (Peter Gariev, Russia) - linked at goldenmean.info/dnawave (good film there on this).
See how the alphabet structures - like the South America Chacana - of ALL these cultures - are simply the permissive hypercubic charge entry angles to allow DNA to be fed (& imploded / phase conjugating - with charge). This is particularly true of the OPHANIM ENOCHIAN alphabet later called BIRD TRIBE (note in the link /Orion above - how this became the movie STARGATE). Alphabets are the symmetry of charge residues- from lightning - in the way DNA is ignited with bliss. See Los Alamos physicists prove plasma symmetries from DNA triggering solarwind become alphabets on most EVERY ancient petrogylph carving - goldenmean.info/vishnew

The point is that ( as the Russian scientist correctly explains) PHASE CONJUGATION is the optical and broad spectral mechanism which allows DNA to make these measurable black holes (gravity- see links). The term for these opposing cones -opposite phase conjugating optical helix with empowered DNA- is YOD and VAU.  Thus the term Yalweh - (Yod He Vau He) used to describe both Enlil/Yalweh/Amun -AND  Krishna -are actually names for the electrical condition of phase conjugating blood - sometimes equated with 'being God'.
Those two opposing cones - (triangles) are the flag of Israel and Alpha Draconis (Dragonish goldenmean.info/dragonscriptdna) - in part for this reason.
If we take the top down view of DNA which IS successfully and implosively phase conjugating (and bliss ignited)- we see that the angles at which charge emerges LOOKS LIKE WINGS!

This then animates to be the holy grail in blood ( animation at goldenmean.info/realgrail )
So in this sense - a WINGMAKER (in the sense of wingmakers.com ) is one who knows the skill to charge ignite blood. The DNA in blood and the physics of bliss measurement are both entirely based on charge attractive FRACTALITY for this reason.

Graphics and Esoteric History by Dan Winter.
For more of his work visit www.goldenmean.info

The 'Language of the Birds" is the language of Reality, the Music of Light that is the Source of all Meaning. It is a language of the heart that can slip through the cracks of the mind as Poetry, Metaphor, and Imagery that transcends the minds sense of logic and reason.

When you wrestle with the concept of an Angel - always persist until you get the gift of their message !

In many traditions the 'Language of the Birds' is a well known concept. In Sufism it is a mystical language of angels. In Celtic mythology birds usually represent prophetic knowledge. Solomon's proverbial wisdom was due to his being granted understanding of the language of birds by God. In renaissance magic and alchemy the language of the birds was considered a secret and perfect language and the key to perfect knowledge, sometimes also called the langue verte, the green language. In Egypt hieroglyphic writing is called "the alphabet of the birds". St Francis also spoke with the Birds. In Greek mythology the language of the birds may be attained by magical means, and Democritus, Anaximander, Apollonius of Tyana, Tiresias, Melampus and Aesopus were all said to have understood the birds.

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Since the Language of the Birds is said to be both a language of light and a language of life it is fascinating to contemplate the science of 'bio-photons'. Since early last century it has been known and fairly widely accepted that all living cells of plants, animals and human beings emit photons of light. They are too faint to be seen by the unaided eye but can be measured by special equipment. DNA in particular is very active in emitting and absorbing biophotons. According to some theories biophotons form a communication system within and between the cells of our bodies. As we point out on the SacredGeometry page - the shapes and patterns that we are able to perceive arise from the nature of our minds and our perceptual apparatus, which in turn arises from the same fundamental patterns. Therefore the colours of the rainbow are as much aspects of our own beings as they are external realities. We are the living Beauty of Light perceiving itself, we are the eyes of the great feathered serpent coiled around the branches of the world tree. The following is extracted from an article by Vincent Bridges called Reading the Green Language of Light "From the work of modern molecular biologists Fritz-Albert Popp and Mae-Wan Ho, we know that DNA emits a weak form of coherent light that has been demonstrated to work like a communication system between cells and even between larger organisms. In this sense, the art of light is indeed the instrument of the spirit. It is nothing less than the mechanism, the framework so to speak, that allows Mind to exist in the universe. The language of light emitted and received by the DNA may be the original of all languages, the ultimate language of initiation. "Fulcanelli clearly understood this, as he shows when he states that argot, the initiation of the Argonauts, is but "one of the forms derived from The Language of the Birds." This Ur-language, Fulcanelli insists, is the common language of initiation and illumination behind cultural expressions as different as the Christian, the Inca, the medieval troubadours and the ancient Greeks. And traces of it can be found in the dialects of Picardy and Provence, and most important of all, in the language of the Gypsies. "These are stunning assertions. Fulcanelli informs us that the western cabala used by the troubadours and the builders of the cathedrals is based on the language of the Argonauts and the quest for the Golden Fleece. Which in turn is but one application of a vast Ur-language of symbols, derived perhaps from the DNA itself, that unite the global cultures of mankind, from the Inca to the ancient Greeks. And, to top it off, he told us that traces of it can be found in the language of the Gypsies, a fairly obvious reference to the Tarot, long held to be a Gypsy invention. Is he telling us that the Green Language, which is heard according to David Ovason only by those "who have clothed themselves in the skin of the dragon, "is simply a symbolic approximation of the information, transmitted by weak laser pulses, coming from our DNA? According to the work of anthropologist Jeremy Narby, this Ur-language of light is a "forest television" of images in which "DNA is a snaked shaped master of transformation that lives in water and is both extremely long and small, single and double. Just like the cosmic serpent."[5] His assessment agrees with Ovason's comments that only one who has the skin of the dragon, or has become one with the cosmic serpent of DNA, can understand this symbolic language of light. "Could it be possible, by looking at the structure of DNA, to reconstruct this dragon's speech, this green language of light's syntax, grammar and vocabulary? And could it be, as Fulcanelli suggests, that fragments of that original language of light can be found in the divinatory systems used by all nautes, shaman and initiates? And towards the end of this article he adds - "It is possible to reconstruct the dragon's speech, the green language of light's syntax, grammar and vocabulary, because fragments of that original green language of light can be found in the divinatory systems used by all nautes, shaman and initiates, from the archaic oracles of the I Ching to the medievalism of the Kabbalah and the Tarot. By comparing these to the structure and processes of DNA, we can assemble a complex of photo-linguistic meanings that allow us to fulfil the ultimate goal of man's spiritual yearnings, that of reading the divine." And further - "... the framework, the Gnostic pattern, behind the universal language of symbolism, the Language of the Birds and the Green Language, is this great word/world tree of DNA geometry. It is also the Ladder of our western shamanic Gnosis."

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